Being in a state to see beauty

Yesterday, I went to the Hobart International Buskers' Festival ready to be entertained. There was an aerial performer - Theaker von Ziarno - who shinnied up a length of sheeting, muscles rippling in her back - and then it was pure magic. I found myself catching myself at one stage when I moved from being entertained (by the clever and difficult poses) into tuning into and riding the wave of beauty and aesthetic forms. Time slowed and colours became more vivid. Each fluttering of the sheets in the wind created new nuances of aesthetic. I was mesmerized by the changing form in the lines of her body, by the negative spaces, and the interaction between her and the trees and sky behind.

I no longer was there to be entertained, I had become a student of beauty and it had awoken something in my soul. I am not sure what the people next to me could see.

One of the educational projects I am working on at the moment is helping a university lecturer birth and write a book on "Gratitude in Education". Her thesis is that many students and teachers do not bring a state of preparedness to their learning experiences - rather it is a state of complaint. She has been exploring how gratitude, as the opposite of complaint, can assist us to be prepared for learning.

It is not about having to feel gratitude when it is impossible to do so, but recognising that a preferred state of being is one where we feel aligned - there is an inner integrity. It is a lot easier to feel grateful when in this state - so "gratitude" becomes a lighthouse letting us know how far we have moved from that inner state of connectedness - our highest thought. She sees "gratitude practice" requiring a high order of self-reflectivity - of being able to recognise and name the state you are in and being aware of how you can shift your state - what you need to do to enter into a state of preparedness.

So now I am reflecting on how my preparedness to view the busking show put me into certain expectations - to be entertained - and this limited how I saw, interpreted and valued the performer. Yet something in me clicked and shifted of itself into a state where I could actually see beauty. In doing so I entered a state of connection and attunement - one where I felt profoundly grateful for being alive. How much of this shift was due to me (and my own history of spiritual practice) and how much did the act itself act as that switch? How can I deliberately bring these ideas in what I do with my students... helping them to be turned on and to turn themselves on to see things from different spaces and different states?

Is this part of emotional and spiritual literacy?

At the end of her performance Theaker asked us that if we could not give money to at least give thanks and a smile. She talked about developing a giving community culture where we feel comfortable about expressing our thanks and we seek to acknowledge in another something that we have benefited from.

Thank you Theaker for switching me onto a state of preparedness to see beauty!